Statuette of kneeling woman brought to or created in Geneva for the Swiss National
Exhibition’s “Black Village” in 1896
West Africa, Senegal? Second half 19th century. Wood, glass bead, plant fibre
Purchased by the Archeology Museum from the Geneva debt enforcement Office on 17 November 1896 after the bankruptcy of the “Black Village” due to the flight of its agent, Louis Alexandre
MEG Inv. ETHAF K002222
The MEG holds the 85 objects sold when the “Black Village” went bankrupt. The list of their purchase by the Archeology Museum in 1896 only mentions their appearance and supposed uses. The Ethnography Museum’s inventories would subsequently imagine a specific geographical origin for them, by “stylistic” deduction, concealing the reason for their presence in Geneva and their confused and multiple identities in favour of a standardized, and therefore false, ethnographic description. With the texts of Émile Yung (1854-1918), at the time professor of racial anthropology and a regular visitor to the “Black Village” for his “measurements”, the press in 1896 promoted: “a room full of works of art, wooden and ivory statuettes, ornaments of all kinds, furniture, etc. that is
not one of the least curiosities in this exhibition”. It is as impossible to know whether this was the lot seized by the debt enforcement Office as it is to understand the value for the families exhibited of these objects left behind in Geneva. F. Morin/MEG

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